RED RANGER HELIUM CAMERA

Red Ranger Helium Camera on rent in Chandigarh, Mohali

Red Ranger Helium Camera

Red Ranger Helium Camera

The RED Ranger Helium camera is an all-in-one camera system featuring an integrated and less complex platform for filmmakers and videography enthusiasts like you. The camera is quiet to operate and is equipped with more independent SDI and AUX power outputs and integrated XLR audio input.

Additional features like integrated I/O’s, 24V power out, shimmed PL mount and improved thermal performance will give you peace of mind in diverse shooting environments. Equipped with MONSTRO and HELIUM sensors, you get 17 times more resolution than HD and 4 times more resolutions than 4K. Therefore, if you are looking for Red Ranger Helium Camera on rent in Chandigarh, Mohali. Aayat Films is your best shot.
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Features to look forward to

Integrated I/Os

24V power out

Shimmed PL Mount

Improved thermal performance

Clean and organic images

Increased performance in low-light settings and shadows

Technical Specifications

SENSOR TYPE

HELIUM 35.4 Megapixel CMOS

EFFECTIVE PIXELS

8192 x 4320

SENSOR SIZE

29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

DYNAMIC RANGE

16.5+ stops

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES

  • 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456)
  • 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024)
  • 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
  • 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
  • 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
  • 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
  • 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1

  • 5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps
  • 12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps
  • 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps
  • 3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps

REDCODE RAW ACQUISITION FORMATS

  • 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
  • 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
  • 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
  • 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  • 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES

  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
  • ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS

  • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
  • DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps
  • DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  • DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps
  • DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  • DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION

Aluminum Alloy

WEIGHT

  • 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
  • 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)

DC IN POWER INPUT

11.5 V DC to 32 V DC

OPERATING TEMPERATURE

0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE

–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY

0% to 85% non-condensing

COLOR MANAGEMENT

  • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
  • Variable number of 3D LUT outputs
  • User programmable shaper 1D LUTs
  • Tetrahedral interpolation, 16-bit processing

AUDIO

  • Integrated dual channel digital stereo microphones,
  • uncompressed, 24-bit 48 kHz
  • Integrated dual channel 5-pin XLR
  • with preamplifiers, uncompressed, 24-bit 48 kHz

REMOTE CONTROL

  • External R.C.P. WiFi antenna with SMA connector Ethernet,
  • RS232, and GPI Trigger

MONITOR OUTPUTS

  • 3G-SDI (HD-SDI) and MON-1
  • 1080p RGB or 4:2:2, 720p RGB or 4:2:2
  • SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS

DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS

  • 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  • 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  • 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

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Address

304, Block 4 Central Plaza Emaar Hills, Sector 105, SAS Nagar Mohali, 160055

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